Intro
| Acharya Bimalendu
Mukherjee is an outstanding Classical musician,
whose contribution to music both as a performer in his time
and as a Guru has been acclaimed by all. He is the "Acharya"
- the enlightened teacher - the path-giver to many an accredited
musician as well as to the aspirant. |
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Background
Acharya Bimalendu Mukherjee was born in an art-loving Bengali family
at Chinsurah West Bengal, on 2nd January 1925. His grandfather and
father were both civil surgeons in Bengal Medical Service. He did
his schooling from Mrityunjay school, Mymensingh (now in Bangladesh)
and later graduated fromPresidency College, Calcutta, with a degree
in Geology in 1946, and thereafter acquired a Masters Degree, obtaining
a first class, in Geology in 1948, from Calcutta University. Bimalendu
joined the "Geological Survey of India" as a Geologist
in 1949 and then worked in the "Indian Bureau of Mines"
in 1951. He was entrusted with the responsibility of managing the
mineral resources of the Bhilai Steel Plant, as soon as it was established
in 1955. He looked after all aspects of exploration, development
and exploitation. Since then Bhilai has become his permanent home.
He took voluntary retirement in 1983 as General Manager (Mines)
and Additional Director CRMM SAIL, when the Govt. of Madhya Pradesh
selected him as the Vice-Chancellor of Indira Kala Sangeet Vishwavidyalaya,
Khairagarh, and Madhya Pradesh. He completed his first term as Vice
Chancellor in 1985. He was given the same responsibility in 1988
and he put in his best efforts for the institution.
Style
Bimalendu Mukherjee is primarily a Sitarist, though he is proficient
in almost all traditional Indian instruments like RudraVeena, Saraswati
Veena, Surbahar, Sursingar, Mandrabahar, Dilruba, Esraj, Tar Shehnai,
Sarod and Pakhavaj. He is equally adept in vocal music.
His contributions to the family of stringed musical instruments
are the unique "Aditya Veena" - named after his son Budhaditya
- and the "Bijoy Veena" - named after his grandson Bijoyaditya.
He has also revived the 'Ektantri' single-stringed Veena - an instrument
referred to by Sharangdev - and the Sur Kanan. Besides, he has experimented,
modified and improved the structure and tonal quality of many stringed
instruments like the Sitar , Sarod, Surbahar, Rudraveena, Esraj,
Guitar, Dilruba and the Veena.
Bimalendo Mukherjee has been constantly experimenting with the
Western and Eastern philosophy of medical treatment. He has created
Raga Anandamayee in That Kafi. His son has recorded the Raga in
a novel way on the Sitar . This recording, released with the title
"Anandamayee" (full of bliss and happiness), has been
successfully experimented on patients of hypertension.
Achievements/ Accolades
Acharya Bimalendo introduced the people of Bhilai to fine arts
like music, dance and painting. He introduced to the people of Bhilai
many fine artists of India and their works. He won acclaim for his
stage performances and radio broadcasts between 1940 - 1960. After
the sixties, he was busy with his administrative responsibilities,
assignments and obligations, which allowed him little time for stage
performances. When he joined the Khairagarh University as a Vice
Chancellor, forty organizations united to felicitate him for his
long years of service to the Bhilai community.
He has also written treatises and commentaries on musical subjects.
His article published by "All India Kashiraj Trust's Dhrupada
Varshiki' issue (Dhrupada Annual) on the importance of intricate
technical aspects of stringed instruments cb8 is most enlightening.
Bimalendo Mukherjee was sent to U.S.S.R. in 1962 for learning about
the Russian Mineral Exploration system and during his stay at Moscow
he was introduced to European art and music at the Chekhovsky Conservatoire.
During his tenure as Vice Chancellor, he visited many countries
in the East and West to assimilate and understand their musical
heritage, their music-education system and approach to the performing
art.
He represented India in the Bi-annual International Conference,
being invited by the President of the International Society of Music
Education, Eugene, and U.S.A. In 1984 the King of Thailand invited
him to the 7th conference of International University President
forum, which is held every three years. He gained a first hand knowledge
of the educational systems of many internationally reputed universities
and he incorporated many scientific, technical and communicational
aspects of education in the University under his charge.
Bimalendo Mukherjee has been a training student since the 1960's
and his home in Bhilai has become a famous seat of learning. He
attracts students from India and abroad, who flock to him, for guidance.
Even today the Acharya is enlightening, guiding, training and inspiring
music loving individuals and students by his wisdom, knowledge and
profound grasp of traditional Indian Classical Music. Among his
outstanding pupils are his son, Budhaditya Mukherjee and his grandson
Bijoyaditya.
Among his foreign students are Brigette Menon and Alain Pentoloimonov
of France, who have been accorded the coveted music Lauriet from
Yehudi Menuhin Academy. Mrs. Anisha Sakhini of Italy has written
a book in Italian named, "It Sitar e-la-blusica Indiana"
on Sitar , under the able guidance and inspiration of the Acharya.
Fusion Music, composed by his French disciple Brigette Menon has
opened up interesting horizons in Jazz Music. He also has the unique
distinction of having groomed eight students who have stood first
in All India Radio music competitions.
Acharya Bimalendu Mukherjee has single-handedly made Bhilai a place
where music is taught freely to those who knock at his door as and
when they please. The Acharya is a member of various organizations
such as The International Society of Music Education, AL-MAESTRO
and Hindustani Classical Music. He was formerly Additional Director,
CRMM SAIL; General Manager M and Q, Bhilai Steel Plant; Vice Chancellor,
Indira Kala Sangeet Vishwavidyalaya, Khairagarh (M.P.) (1983-85
and 1988- 91). He also figures in Five Hundred Leaders Of Influence
1997 American Biographical Institute (U.S.A.); Reference Asia 5;
Biography International 1991; Learned Asia 1; India Who's Who 1993-94;
International Who's Who of Intellectuals 1997 and International
Biographical Center Cambridge (U.K.)
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